The quality of the photos on this page has been downgraded for copyright reasons.
déviation – 2025
These works, captured with a Fuji X-T4 and 10mm and 16mm macro extension tubes, transform chemist’s glass tubes into luminous, abstract landscapes. Using sculpting LED light, the glass reveals its internal tensions, liquid reflections and inhabited voids. Here, the scientific object loses its function to become fiction: a minimal architecture where the eye circulates as if in an inner laboratory.
deselected – 2025
deselected is a macro photography series made with my Fujifilm X-T4, Fujinon XF 18–55mm, and two extension tubes (10mm and 16mm). The pictures were taken around Biel, using only natural light.
This series explores overlooked micro-landscapes — fragments of objects, surfaces, or residues — captured at the edge of recognition. By isolating these details through tight framing and shallow depth of field, deselected reclaims the unnoticed. Light becomes tactile, and the banal turns abstract. The images resist immediate interpretation, inviting the viewer to slow down and confront the intimate strangeness of material textures. Each photograph functions as a quiet rupture in the flow of visual certainty — a space between observation and imagination.
fracture – 2025
fracture is a macro photography series made with my Fujifilm X-T4, Fujinon XF 18–55mm, and two extension tubes (10mm and 16mm). Shot outdoors around St-Luc (CH) near the torrent des moulins using only natural light, the series captures ephemeral structures formed by ice in its various states of transformation.
These images reveal the quiet architectures of freezing — cracks, fractures, bubbles, and melting veins rendered with microscopic intimacy. In this fragile terrain, ice is not just cold matter but a living surface, marked by tension, collapse, and light. Each photograph becomes a document of impermanence, where solid and liquid blur into a sculptural ambiguity. frozen selections invites the viewer to witness time suspended, where texture becomes memory and each crystalline form is a vanishing threshold between order and entropy.
gestures – 2023
gestures is a macro photography series made with my Fujifilm X-T4, Fujinon XF 18–55mm, and two extension tubes (10mm and 16mm). The images were taken during the making of the video clip Arrolo da Alba by Iago Fernández, documenting ephemeral mixtures of pigments, metallic powders, and magnetic forces.
In these photographs, color becomes a material in tension — drawn, repelled, scattered — under invisible fields. Iron filings stretch and collapse, pigments swirl in dense gradients, and the macro lens captures each reaction as a moment of painterly instability. The series explores matter in motion, but frozen mid-gesture: chaos composed, intention disrupted.
woven – 2020
woven is a macro photography series made with my Fujifilm X-T4, Fujinon XF 18–55mm, and extension tubes (10mm and 16mm). It focuses on high-color textiles — synthetic and natural fabrics, worn clothing, dyed threads — captured in tight detail where weave becomes landscape.
At this scale, fabric turns unfamiliar: a field of tension, loops, and saturation. Threads bleed into each other, color vibrates through the fibers, and what once clothed the body becomes pure chromatic surface. woven explores how intimacy can reside in abstraction, how memory can survive in a fold. Each image is a fragment of everyday material charged with sensory excess.
résidu – 2019
résidu is a microscope-based series. All photos were taken during the making of my short film flair, created using dead insects found on the ground and fragments of textile, magnified and filmed in slow, tactile movements. The piece explores the porous boundary between organic decay and synthetic weave.
Through amplified textures, frayed threads and brittle exoskeletons become landscapes — fibers intertwine with wings, dust settles like memory. The film avoids narrative, favoring the slow drift of attention through layered materialities. résidu is a document of persistence — the quiet afterlife of fragile forms, captured at the edge of visibility. It’s a visual elegy where fabric and insect, human trace and nonhuman fragment, dissolve into one another under the microscope’s indifferent gaze.
